雷诺阿的杰作《女仆日记》节奏明快又清新自然，像一场无忧无虑的春日郊游。 作为雷诺阿的得意门生，珍妮·巴克勒贡献了教科书般的演技，将女仆苏珊在卑微身份与觉醒欲望间的心理变化拿捏得恰到好处，特别是片中那段在空旷原野上的经典独白，凄美又充满生命力。 乔瑟芬·贝尔乔饰演的女仆是全片的灵魂，她那标志性的天真烂漫与隐藏的狡黠，既让人发笑又让人心生怜惜，将一个“知心大姐姐”的形象演得鲜活灵动。如果你厌倦了快节奏的强剧情，想找回一点看世界的耐心，这绝对是一部懂你的治愈系小品。这部片子适合所有渴望在枯燥生活中寻找一丝温情与欢笑的观众。 它无关惊天动地的传奇，只关于微小的快乐与生活的本真。

　　Celestine, the chambermaid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man. But Mr Lanlaire is not a right choice: all the house is firmly controlled by Mme Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, ex-officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive, and does not share his mother's anti-republicans opinions. So Celestine's beauty attracts Captain Mauger, young Georges Lanlaire, and also Joseph. Three men, from three different social classes, with three different conceptions of life. Will Celestine be able to convince Georges of her sincerity ? Will sinister and inflexible Joseph let his views upon Celestine be ruined ? A quite disillusioned depiction of humanity.